Our site uses cookies to ensure you quality of service. By continuing browsing you agree with our Cookie policy , Privacy policy

Admission and Studies

News

Tuesday May 19th, 2026

In memoriam Feliksas Romualdas Bajoras (1934 10 07 – 2026 05 18)

The community of the Lithuanian Academy of Music and Theatre mourns a profound loss. Composer, pedagogue, and laureate of the Lithuanian National Prize for Culture and Arts Feliksas Romualdas Bajoras has passed away – one of the most prominent figures of Lithuanian modern music.

The composer was born on 7 October 1934 in Alytus. He began his musical studies with Vincas Bacevičius in Kaunas. At the Lithuanian State Conservatoire he graduated from Aleksandras Livontas’ violin class (1957) and Julius Juzeliūnas’ composition class (1963).

From 1963 to 1965, he taught at the Šiauliai Music School, and from 1965 to 1989 he served as Head of the Music Department at the Youth Theatre. Between 1991 and 2000, he taught at the Lithuanian Academy of Music (now the Lithuanian Academy of Music and Theatre), where he was awarded the title of Associate Professor in 1994. From 1991 to 1994, he also worked as Music Director at the Lithuanian National Drama Theatre.

Feliksas Bajoras was a modern, consistent, and spontaneous representative of the so-called “new folklorism.” His music was distinguished by an authentic relationship with Lithuanian folk music and a unique combination of folk tradition with contemporary means of musical expression. Folklore was rarely quoted directly in his works – instead, his musical language emerged from the intonations of Lithuanian speech, folk performance practices, and a deep connection with ethnic tradition.

One of his most significant works is considered to be Suite of Legends (Sakmių siuita) for voice and piano (1968), which became a distinctive example of Lithuanian musical thinking. Other important compositions include the diptych Vilnius Quartets, the Sonata for Violin and Piano The Years Gone By (Prabėgę metai), the oratorio Raising of the Bell (Varpo kėlimas), the opera Lamb of God (Dievo avinėlis), Missa in musica, Exodus I and II for symphony orchestra, and many other works.

His music was performed at important international festivals in Lithuania and abroad, including Warsaw Autumn, the Berlin Music Biennale, Berliner Festwochen, Wratislavia Cantans, Gaida, Jauna muzika, Europa Musicale, and others.

F. R. Bajoras received numerous significant awards. In 1970, he won Second Prize at the Alfredo Casella International Composers’ Competition in Naples. He was awarded the Lithuanian State Prize in 1981, the Lithuanian Government Prize for Culture and Arts in 1998, the Lithuanian National Prize for Culture and Arts in 2001, and the Officer’s Cross of the Order of Gediminas in 2007.

The Lithuanian National Prize for Culture and Arts was awarded to the composer for his Concerto for Violin and Symphony Orchestra, the string quartet Suokos, the work for chamber orchestra Sun Path (Saulės takas), and the trio Momenti sacri.

We have lost an exceptional figure of Lithuanian musical culture, a pedagogue and creator whose works left a profound mark on Lithuanian contemporary music.

We extend our sincere condolences to the composer’s family, colleagues, students, and the entire musical community.

2026 05 19

Tuesday May 19th, 2026

LMTA’s Culture Night Travels Across Lithuania

On the night of June 12, 2026, Vilnius will stay awake — the city will pulse with music, art, and live encounters. One of the highlights of the “Culture Night” festival will take place in Lukiškės Square, where from 8:00 PM until 1:00 AM audiences will experience the piano music marathon Black and White. The event will feature performances by the most talented pianists of the Lithuanian Academy of Music and Theatre (LMTA), while at midnight one of Lithuania’s most renowned pianists, Petras Geniušas, will present a special recital.

For the third consecutive year, Black and White is expanding beyond the capital and inviting the whole of Lithuania to experience music together. Alongside Vilnius, seven Lithuanian cities and towns — Dusetos, Jurbarkas, Marijampolė, Babtai, Šilalė, Varėna, and the Kaunas district — will stay awake on the evening of June 12. Residents will gather in town squares, cultural centres, public spaces, and community venues to watch a live broadcast of the piano marathon from Lukiškės Square.

This initiative has become not only a musical event, but also a symbolic cultural bridge between the capital and the regions, uniting different parts of Lithuania. For one summer night, the same music will resonate across the country, creating an atmosphere of togetherness and living culture.

“We are delighted that this year as many as seven Lithuanian cities and towns are opening their public spaces to Culture Night. The initiative, launched two years ago, attracted significant interest, so this year we will broadcast the piano music marathon from Lukiškės Square not to six, but to seven Lithuanian locations. We are eagerly awaiting this special night, preparing for it intensively, and are very happy that Culture Night together with the Lithuanian Academy of Music and Theatre is becoming a beautiful tradition,” says Eglė Kasteckaitė, Head of the LMTA Arts Centre.

The piano music concert Black and White has existed since 2009, when LMTA professor Petras Geniušas gave a memorable recital dedicated to the music of Ludwig van Beethoven during the Culture Night festival in Lukiškės Square. Since 2011, young pianists — the most talented LMTA students and graduates — have joined the project, and their performances continue to form the core of the marathon programme.

Over more than fifteen years, Black and White has become one of the most anticipated events of Culture Night — an open stage for emerging talents and a unique experience for audiences. Every year, the project gathers crowds of music lovers in Lukiškės Square, while the sound of the piano on a summer night has become an inseparable part of Vilnius’ cultural landscape.

This year, the experience expands even further — Black and White invites not only Vilnius, but the whole of Lithuania to come together:

BABTAI / Town Square / Kauno St. 6
DUSETOS / Courtyard by the Kazimieras Būga Library / Vytauto St. 56
JURBARKAS / Cultural Centre / Dariaus ir Girėno St. 94
KAUNAS DISTRICT / Ilgakiemis Leisure Hall of Garliava Cultural Centre / Pajiesio St. 1, Ilgakiemis
MARIJAMPOLĖ / Square near “Spindulys” Cinema / Kauno St. 13
ŠILALĖ / Cultural Centre / J. Basanavičiaus St. 12
VARĖNA / Cinema and Exhibition Hall of the Cultural Centre / J. Basanavičiaus St. 17

PROGRAMME

20:00–23:30 – Piano Music Night Black and White
Performances by LMTA pianists
00:00–01:00 – Recital by pianist Petras Geniušas

Event hosts: students of the LMTA Department of Acting and Directing, actors Dita Klinkaitė and Gustas Vičkačka.

© Photo by Gabija Matkutė
© Design by Vaiva Šatkutė-Marozienė

LMTA Art Centre info
2026 05 19

Monday May 18th, 2026

New financing for the „Nordplus Norteas“ network

We are pleased to share that “Nordplus NORTEAS” – a network uniting Nordic theatre arts schools, coordinated by LMTA for the three years – has received significant funding this year amounting to EUR 75,790 for short-term mobility opportunities for teachers and students, as well as for a development project titled “Intersectoral Pedagogy.”

The network currently brings together 18 higher education institutions from the Nordic region – ranging from Greenland and Iceland to the Scandinavian and Baltic countries.

We are also delighted to announce another important update – LMTA has renewed the NORTEAS website: https://www.norteasnetwork.org. The website now provides comprehensive information about the activities of the “Nordplus” network, examples of best practices from previous projects, mobility opportunities, and contact information. We hope this information will be useful for everyone interested in learning more about the network’s activities, sharing experiences, participating in collaborative initiatives, and engaging in international projects.

We invite you to actively make use of the opportunities offered by the network and to follow the latest news on the renewed NORTEAS website.

International Relations info
2026 05 18

Friday May 8th, 2026

LMTA Delegation Visits Senegal Under Erasmus+ KA171 Programme

From April 29 to May 4, 2026, a delegation of lecturers and staff from the Lithuanian Academy of Music and Theatre (LMTA) visited Senegal as part of the Erasmus+ KA171 programme, which promotes academic exchange and cooperation with partner countries outside the European Union.

During the first days of the visit, meetings were held at École Nationale des Arts et Métiers de la Culture (ENAMC), the National School of Arts and Culture. LMTA and ENAMC have already established cooperation agreements and discussed further opportunities for collaboration. Plans are currently underway for lecturer and student exchange mobilities to Lithuania later this year.

At ENAMC, LMTA lecturer Assoc. Prof. Dr. Simas Gabrielius Sapiega delivered a lecture on the development of listening skills within the context of the European music tradition, while also taking into account students’ strong sense of rhythm rooted in African musical practices. The lecture attracted considerable interest among students and faculty members.

The delegation also visited Université Gaston Berger in the city of Saint-Louis, where meetings were held with lecturers and administrators from the Civilisations, Religions, Arts et Communication (CRAC) department. Participants were introduced to local music and audiovisual study programmes and discussed possibilities for future academic cooperation.

A meeting was also held with Professor Mamadou Abdoul Diop, Vice-Rector responsible for Research, Student Integration, Community Services, and Partnerships. During the discussions, both institutions agreed to prepare and sign an interinstitutional bilateral agreement in the near future, with the first exchange visits expected to take place in Lithuania soon.

The programme additionally included visits to École des Sables, a renowned contemporary dance institution with which LMTA is considering future cooperation projects. These include the development of a joint master’s study programme and participation in African contemporary dance biennale initiatives organised by École des Sables.

The lecturers and representatives of the Lithuanian music and theatre community returned with valuable professional experience, inspiration, and new perspectives that will enrich future teaching practices and strengthen mutual understanding between lecturers and students from different continents and cultural backgrounds.

 

Friday May 1st, 2026

MAY 2026 | LMTA EVENTS

Sorry, but this page is only available in Lithuanian.
For more information about LMTA events in English, check out the Events section on our front page (below the News section).

Wednesday April 29th, 2026

Call for Proposals — C-Accelerate+

Join C-Accelerate+, a FilmEU alliance initiative boosting entrepreneurship and innovation across arts, culture and creative industries in higher education. We offer individual mentorship and practical support to student teams aiming to develop start‑ups, creative projects and art‑tech solutions with real market potential and institutional backing.

Who can apply?

  • Students from partner institutions — individuals or teams.
  • Open to ideas at any stage: concept, prototype or early venture.

What we offer?

  • One‑on‑one mentorship with experienced industry mentors.
  • Practical guidance on business development, prototyping, testing, and partnership building.
  • Access to international networks, workshops and targeted consultations to accelerate your project beyond the classroom.

Current project you can join:

  • Le 6: an interdisciplinary exhibition creating a slow, naturalistic sensory environment to rethink overstimulation.

Selected mentors:

  • Darius Vizbaras — cultural innovation producer, founder and MD of KOSMOS THEATRE, and Creative Director of ArtTech Forum Lithuania; experienced in interdisciplinary R&D, XR, AI and international project delivery, and active in professional education and mentorship.
  • Vytenis Buzas — aerospace engineer and entrepreneur, lead developer of Lithuania’s first nanosatellite LituanicaSAT-1, former NanoAvionics CEO and current head of Unmanned Defense Systems.
  • Mantautas Krukauskas — composer and sound artist, Associate Professor at the Lithuanian Academy of Music and Theatre and co‑founder/head of the Music Innovation Studies Centre, an academic lab focused on music technology, interactive arts and immersive media; active in composition, electronic performance and leading international research and educational programmes.  
  • Roberto Becerra — sound artist, engineer and technologist; co‑founder of Ideas Block LT and the Arttice cultural platform, and lecturer/developer at the Lithuanian Academy of Music and Theatre, working across creative tech and multidisciplinary arts.
  • Edmundas Pučkorius — entrepreneur and cultural sector leader active in initiatives such as Antidote Community and SEMIHUMAN, with experience collaborating with municipal and cultural stakeholders.

How to apply?

Have questions for us? Contact matas.samulionis@lmta.lt; neringa.valuntonyte@lmta.lt

Apply to get tailored mentorship, practical support and a fast track from idea to market‑oriented development.

2026 04 29

Tuesday April 28th, 2026

Congratulations to Professor Audrius Stonys on the Occasion of His 60th Birthday

The Lithuanian Academy of Music and Theatre warmly congratulates Professor of the National Film School (KIMO), film director, recipient of the Lithuanian National Prize for Culture and Arts, Audrius Stonys, on the occasion of his 60th birthday.

Audrius Stonys is a distinguished figure of Lithuanian cinema whose work has earned international recognition and holds an important place in contemporary documentary filmmaking. After graduating from the Lithuanian State Conservatoire (now LMTA) in 1989, he soon became known for his unique cinematic language, sensitive human insight, and ability to reveal poetic and universal meanings through everyday reality.

His films have been screened and awarded at prestigious international festivals worldwide. In 1992, his film Earth of the Blind received the European Film Award for Best Documentary of the Year. Later works such as Flying Over Blue Fields, Raminas, Woman and the Glacier, Bridges of Time, and others further confirmed his exceptional place in European documentary cinema.

For his bold artistic vision and original approach to reality, Audrius Stonys was awarded the Lithuanian National Prize for Culture and Arts in 2002. He is also a member of the European Film Academy and the European Documentary Network, actively contributing to the international film community.

Equally significant is his pedagogical work. At the National Film School of LMTA, Professor Stonys mentors young filmmakers, sharing his extensive creative experience, professional insight, and thoughtful artistic values.

We sincerely congratulate the esteemed Professor on this special anniversary and wish him continued creative energy, inspiring ideas, meaningful new works, and joy in guiding the next generation of filmmakers.

2026 04 28

Thursday April 16th, 2026

Short film from KIMO – selected to the Cannes „Semaine de la critique“

The film “Class Photo” by LMTA National Film School master’s student Arnas Balčiūnas has been selected to participate in the Cannes Film Festival’s parallel program Critics’ Week competition. The Lithuanian director’s film will compete with nine short films from around the world; these works were selected from 2,400 submissions. Balčiūnas’s short film “Class Photo” is his final master’s project at the National Film School of the Lithuanian Academy of Music and Theatre.

Vytautas Dambrauskas, head of the LMTA National Film School (KIMO), points out that although the Cannes Film Festival has a special program dedicated to student works, Balčiūnas’s film will not compete there—it will instead take part in a competition alongside other filmmakers who are already taking confident steps in the film industry.

“Until now, in Lithuania’s history, we have not had a student work competing in any Cannes program. Being selected for such a festival is a major achievement not only for Lithuania, but also for the LMTA National Film School.”

“Class Photo” is Arnas Balčiūnas’s sixth short film, and several of his earlier works have already gained recognition both internationally and in Lithuania. His debut film “Blausos” won the Best International Film award at the Friss Hús Short Film Festival in Hungary, his second work “Hablo dėsnis” traveled to 25 international festivals, and the film “After Passing Napoleon’s Hat” received a special mention at the Drama Festival in Greece. In Lithuania, Balčiūnas has won two Silver Crane Egg awards for Best Student Works and has been recognized at festivals such as Kino Pavasaris, Scanorama, and the Vilnius Short Film Festival.

Balčiūnas’s latest short film “Class Photo” takes viewers to an abandoned school—here, Ignas, who has returned, meets a former classmate. As they wander through corridors filled with conflicting memories, they try to capture what is about to disappear.

The film’s writer and director is Arnas Balčiūnas; cinematographer: Milda Juodvalkytė; editor: Antanas Skridaila; sound director: Fausta Pilkaitė; composer: Matas Beržinskas; production designer: Rūta Strazdaitė; producer: Morta Verbickaitė. The main roles are played by Džiugas Gvozdzinskas and Mantas Barvičius. International distribution: M-Films; production company: LMTA National Film School (KIMO).

Information provided by M-Films.
2026 04 16

Wednesday April 15th, 2026

In memoriam Osvaldas Balakauskas (1937–2026)

The community of the Lithuanian Academy of Music and Theatre mourns a profound loss. At the age of 88, Osvaldas Balakauskas, long-time professor of the Composition Department at the LMTA Faculty of Music, former head of the department, prominent Lithuanian composer of modern music and pedagogue, and laureate of the Lithuanian National Prize for Culture and Arts, has passed away.

Composer and pedagogue. He studied at the Faculty of Music of the Vilnius Pedagogical Institute (1957–1961) and later pursued composition studies at the Kyiv Conservatory in the class of Professor Borys Lyatoshynsky (1964–1969).

Osvaldas Balakauskas was one of the few Lithuanian composers to consistently develop a distinctive musical language and an original compositional system. His artistic thinking was shaped by the avant-garde ideas of 20th-century music, including the works of Karlheinz Stockhausen, Pierre Boulez, Iannis Xenakis, Anton Webern, and Olivier Messiaen. His self-developed system of dodecatonics, based on multi-note diatonic structures, became a defining feature of his musical style.

Since 1985, he taught at the Lithuanian Academy of Music and Theatre (formerly the Lithuanian Conservatoire). He served as Head of the Composition Department in 1988–1992 and 1994–2006, and was awarded the title of Professor in 1995. Over several decades, he educated generations of composers and made a significant contribution to the development of contemporary music studies and creative practice in Lithuania.

His works have been performed at major international festivals, including Warsaw Autumn, Prague Spring, the Berlin and Zagreb Biennales, ISCM World Music Days, MaerzMusik, Wratislavia Cantans, and others. His oeuvre includes symphonic, concert, chamber, vocal-instrumental works, as well as opera and ballet.

Osvaldas Balakauskas was also active in public life. He was a member of the Sąjūdis Council (1988–1992) and served as Ambassador of Lithuania to France, Spain, and Portugal (1992–1994).

He received numerous prestigious awards, including the Lithuanian National Prize for Culture and Arts (1996), the Order of the Lithuanian Grand Duke Gediminas (1998), and the Lithuanian Ministry of Culture Honor Award “Carry Your Light and Believe” (2012).

We have lost an outstanding personality whose creative and pedagogical legacy has left a profound mark on Lithuanian musical culture.

We express our sincere condolences to his family, colleagues, and students.

2026 04 15

Friday April 3rd, 2026

DocNomadsPlus student Astrid: „You have to be curious about life“

Astrid Felicia comes from Norway—a Northern Norwegian city that is no stranger to darkness, wind and dropping temperatures. Also Peer Gynt, trolls, Freikenstulen, and magnificent mountain views. A land now experiencing a kind of cinematic wave, led by Oscar-nominated director Joachim Trier.

But now, as a DocNomads Plus, an Erasmus Mundus joint master student, Astrid is trying to find stories in Vilnius. Together with her peers at DocNomads Plus, they are in the phase of searching for documentary characters. How she feels in Vilnius and studying in KIMO – as asked and written down by Kismar Rosin, an intern from Estonia.

The sun sets quietly on the stairs of the National Lithuanian Film School. Artsy theatre students share rolled tobacco, inspiration, youth, and potential. In Vilnius, where church bells toll, you can hear silence in the parks near Užupis. The city plays with green, brown, and reddish tones.

When Astrid tries to find a metaphor for Vilnius, she pauses, then says: pickles.

“They keep you nourished through the winter, and honestly, I’ve never had so many good pickles as I’ve had here,” she adds.

Thanks to the National Film School (KIMO), Astrid and her mates have seen many Lithuanian films. They are also taking a course on Baltic poetic cinema.

It has been a revelation for her—she hadn’t seen any Lithuanian films before. Before DocNomads, she completed an arts degree.

So how does Norwegian cinema compare to Lithuanian cinema?

“It’s quite recent that Norway has produced films reaching an international audience. In many ways, Norway has been the Scandinavian underdog in filmmaking. Historically, there hasn’t been the same level of commitment to cinema as in Lithuania.”

“There’s a kind of coded poetry in Lithuanian films. Norwegian films tend to be more direct—sometimes even a bit on the nose. Of course, that comes from a completely different historical context.”

“Less poetic—well, until recently. Now they’re actually pretty good.”

Moving countries every six months can feel unsettling, like you never quite reach beneath the surface of a culture. If you stay in one place, after two years you might reach a certain depth—but being an outsider is always limiting, she notes.

“I think you can do it a few times, but maybe you don’t want to work like this forever.”

What does she think of Lithuanians?

“I think they’re quite quirky.”

Quirky?

“In the sense that they are very in touch with their roots. As part of my research, I’ve been exploring Lithuanian paganism. I think I’ve been seeking out unusual corners of society.”

There is a strong connection to cultural history and pre-Christian faith.

Curious, she attended several events.

Astrid experienced Užgavėnės, an ancient celebration where people wear masks and burn a figure called More, marking the end of winter and the arrival of spring.

“Where I’m from, we’ve mostly lost touch with many of these pre-Christian traditions, so I’ve really appreciated taking part in them here,” she explains.

She also attended folk singing concerts and the spring equinox celebrations with Romuva.

 

But what’s fascinating is not just studying in different places—it’s that the students themselves come from all over the world, bringing diverse perspectives.

“Yeah, I think it’s great. You’re constantly challenged by your peers. The discussions are much richer, shaped by very different points of view compared to my previous degree.”

What kind of person should apply to become a documentary nomad and join DocNomadsPlus programme?

“You have to be curious about life. If you’re not curious, you won’t get much out of it.”

“Very soon after arriving, you realize you are your own driving force. The only way to find inspiration and meet people is to immerse yourself in society—without judgment and with an open heart. You have to be ready to step out of your comfort zone.”

“And I think it helps to be independent—and to have a bit of baggage.”

A bit of baggage?

“Life experience. I would recommend waiting with the course until you’ve lived a little outside educational institutions.”

What about the silence of Vilnius—what does it say?

“The silence perhaps represents resilience.”

Lithuanians have a turbulent history, yet there is a sense of strength and unity.

After answering, Astrid rushes off to her lectures. Another day begins—searching for stories. Characters. Moments. Life. Meaning. Trying to capture all of this essence on camera.

More about an Erasmus Mundus Joint Master in Documentary Filmmaking read here.

Wednesday April 1st, 2026

APRIL 2026 | LMTA EVENTS

Sorry, but this page is only available in Lithuanian.
For more information about LMTA events in English, check out the Events section on our front page (below the News section).

Friday March 20th, 2026

STARTAS Encouraged Students to Explore Entrepreneurship Through Design Thinking and Creative Collaboration

On 12–13 March, the Lithuanian Academy of Music and Theatre (LMTA) hosted STARTAS, a two-day event dedicated to fostering entrepreneurship among LMTA students and students from partner institutions of the FilmEU Alliance. The activities formed part of the C-Accelerate Plus project, which aims, among other things, to support the formation of project-based student teams that, with the help of mentors, can develop services and products with commercialisation potential. Bringing together young creatives from different disciplines and countries, the initiative encouraged collaboration, entrepreneurial thinking, and the development of innovative ideas at the intersection of art, technology, and society.

The event began on 12 March with an informal networking and introduction session. Participants had the opportunity to get to know one another, exchange experiences, and discuss project funding opportunities within their own institutions and countries. Conversations quickly revealed that many institutions face similar challenges, particularly in relation to communication and the lack of an entrepreneurial mindset in the arts. The session created space for sharing ideas, common concerns, and possible ways forward. Participants were also introduced to the FilmEU laboratories and the possibilities they offer, while LMTA’s Spatial Sound Lab presented a demonstration of its creative and technical capabilities. The evening concluded with a joint visit to the cinema “Pasaka,” where participants attended a screening of Sentimental Value as part of the Vilnius International Film Festival Kino Pavasaris.

The main programme took place on 13 March and was structured in three parts. The day opened with a creative workshop led by mentor Darius Vizbaras, a cultural producer working at the intersection of the performing arts and technology, focusing on the theme of ArtTech. The session invited participants to reflect on how they understand the relationship between art and technology and highlighted the complexity of this intersection. Through philosophical reflection as well as practical examples, the workshop explored how artistic experimentation and technological precision often operate according to different logics, yet together can become a powerful source of innovation. The discussion demonstrated that ArtTech is not simply about digital tools in art, but about the dynamic encounter between engineering and artistic thinking, where some of today’s most original creative solutions can emerge.

This was followed by three keynote presentations addressing creativity, audience engagement, entrepreneurship, and the broader ArtTech ecosystem. In “Aimless Creativity: How to Avoid Wasting Energy Creating Things No One Wants,” Edmundas Pučkorius, CBDO and event manager at Antidote.community, invited participants to think critically about audience needs and the importance of understanding demand when developing artistic ideas or products. In “From a Creative Idea to a Startup: Broader Contexts of Creativity,” entrepreneur Vytenis Buzas, CEO of Unmanned Defense Systems, spoke about startup development, entrepreneurial challenges, and the mindset needed to transform ideas into viable ventures. The keynote “Why ArtTech Matters: From Montreal to Lithuania,” delivered by Agnesta Filatovė, CEO and co-founder of ArtTech Agency Lithuania, introduced participants to the historical development of the ArtTech movement and emphasised the role of ArtTech ecosystems in shaping new relationships between art and technology.

The final part of the event was an innovation workshop combining elements of an ideathon, problemathon, and hackathon. This intensive four-hour session focused on the question: How might we create new experiences using technology? The workshop was led by Dovilė Končak, a business strategist and mentor with experience in business development, market research, innovation, and leadership. Rather than focusing on rapid technical prototyping, this format encouraged participants to identify, define, and refine relevant challenges in the cultural and creative sectors. Working in teams and supported by mentor, students developed ideas for services and products with commercialisation potential, while strengthening their problem-solving, collaboration, and innovation skills. The format placed particular emphasis on critical thinking and problem-framing as key competences for young artists and creative professionals.

At the end of the workshop, four student teams presented their final concepts. The team “Le 6” proposed an interdisciplinary exhibition designed to help contemporary audiences reconnect with the value of art in an overstimulated society. Their concept combined artistic experience with elements of wellbeing, natural environments, and sensory practices that encourage visitors to slow down before engaging with artworks. This team received the main workshop prize – a six-month mentorship package.

“Sibelius” presented a therapeutic classical music experience in virtual reality, aimed at teenagers and focused on fostering emotional intelligence and empathy through immersive sound, AI guidance, and personalised digital environments. This team was awarded second prize, consisting of a five-hour consultation package with the workshop mentor. 

The team “5 Musketeers” introduced the concept of a multisensory exhibition combining image, sound, and future-oriented artificial intelligence technologies. Finally, the team “Houston” introduced “Spinner Festival,” an interactive music festival concept in which audiences would actively participate in the creation of live improvised music alongside jazz performers.

By bringing together students, mentors, speakers, and partner institutions, STARTAS created a space where artistic creativity met entrepreneurial thinking and interdisciplinary experimentation. As part of C-Accelerate Plus, the event contributed to the formation of project-based student teams and supported the development of ideas that could be further refined into commercially relevant services and products. It also highlighted the importance of equipping young artists not only with creative skills, but also with the ability to recognise challenges, understand audiences, and shape ideas with real potential for impact and further development.

EVENT GALLERY

2026 03 20

Tuesday March 17th, 2026

Inclusion at LMTA: Experiences That Bring Students Together

On 5 March, the Education Exchanges Support Foundation (Lithuania) organised a meeting of international relations coordinators from Lithuanian higher education institutions at Panevėžys College, focusing on the theme “Inclusion and Diversity in the Erasmus+ Programme.” During the event, Rima Rimšaitė, Head of the International Relations Office at the Lithuanian Academy of Music and Theatre (LMTA), shared the Academy’s experience.

According to Rimšaitė, while at first glance the Academy’s activities in the field of inclusion may not seem exceptional, a closer look reveals a consistent and diverse range of initiatives. One example is the intensive one-week course “Introduction to Lithuanian Culture,” offered to Erasmus and other international students at the beginning of each semester. The course introduces students to Lithuanian music, theatre, cinema, and traditional culture, and includes practical activities such as dance improvisation sessions.

A strong sense of community is also fostered through student-led initiatives. At the end of each semester, Erasmus music students present a joint concert. Throughout the semester, they collaborate on developing the programme, rehearse together, and ultimately deliver a public performance. This process not only strengthens creative collaboration but also helps build meaningful connections among students.

Inclusion-related activities are also actively organised at the National Film School (KIMO), where a variety of community events take place. These initiatives are driven by a desire to connect, to better understand one another, and to share cultural experiences. One notable example is the Shrovetide (Užgavėnės) celebration, which brought together students from different countries and featured traditional food, dancing, and a lively sense of togetherness. Students from the joint programme “DocNomads” responded very positively to this initiative and expressed interest in future activities.

Looking ahead, LMTA plans to further expand its community-building initiatives, including Easter egg-rolling events, a community gardening project, and the continuation of popular activities such as Šoblė Club meetings, quizzes, table football tournaments, and other events that foster engagement and connection.

International Relations Office
2026 03 17

Friday March 6th, 2026

LMTA Composition Student Emilė Riškevičiūtė Wins First Prize at International Composition Competition

Emilė Riškevičiūtė, a second-year bachelor’s student of Composition at the Music Faculty of the Lithuanian Academy of Music and Theatre (LMTA), has won first prize at the International Composition Competition & Symphonic Lab “Generace 2026.” Riškevičiūtė studies composition under Prof. Dr. Mārtiņš Viļums.

This year’s competition attracted 51 composers from 20 countries, including participants from the United States, Brazil, Spain, France, Italy, Germany, Switzerland, Austria, the Czech Republic, Poland, Latvia, Lithuania, Finland, Serbia, Romania, Ukraine, Singapore and Hong Kong.

Emilė Riškevičiūtė was awarded First Prize in the “Under 21” category, which focuses on chamber music compositions by young composers born after 24 January 2005. Her work was selected by the international jury as the best submission in the category, earning her a €1,000 prize.

Other laureates in the category include Dominik Klučka, who received the AHUV Award for the best composer from the Czech Republic, while Periklis Sdravopoulos and Sarina Hashemi were given honorable mentions.

The winning compositions will be performed in autumn 2026 at the contemporary music festival “Hudební současnost” in Ostrava (Czech Republic). The selected composers will have the opportunity to attend rehearsals, collaborate with performers, and participate in a composition seminar led by a member of the competition jury.

The International Composition Competition & Symphonic Lab “Generace 2026” is organized by the Janáček Philharmonic Ostrava in cooperation with the Creative Center Ostrava. This year marked the 51st edition of the competition.

The LMTA community congratulates Emilė Riškevičiūtė on this significant international achievement and wishes her continued success in her creative career.

2026 03 06

Thursday March 5th, 2026

NEW EDITION LMTA JOURNALS – NOW IN OPEN ACCESS!

The Lithuanian Academy of Music and Theatre invites you to get acquainted with the latest issues of its scholarly journals – “Lithuanian Musicology” No. 26 (2025) and “Ars et praxis” No. 13 (2025), whose electronic versions have already been published in open access on the LMTA journals’ website.

“Lithuanian Musicology” No. 26 (2025)
The twenty-sixth volume seeks to expand the prevailing paradigm of music research by transcending state borders and focusing on geographically and culturally diverse micro-, meso-, and macro-regions in music history. This approach stands in contrast to nationalism, that is, a concept of music history based on today’s state borders and an ethnocentric perspective. The shift in perspective encourages careful exploration and interpretation of the localization and networking of musical phenomena, as well as the cultural areas of musical genres and practices—from small homelands (microregions) to global contexts.

“Ars et praxis” No. 13 (2025)
The thirteenth issue of the journal Ars et praxis publishes eleven articles written by researchers, educators, doctoral candidates in science and the arts, and alumni of the Lithuanian Academy of Music and Theatre (LMTA) and other Lithuanian scientific and research institutions. Traditionally, these texts are divided into theoretical and practical sections – ars and praxis. However, contemporary scholarly and artistic research is often characterized by such a creatively analytical perspective that many of the texts in this issue—both those presenting historical phenomena and those examining the newest means of expression in contemporary culture—can be viewed as fusions of theoretical and practical perspectives.

We invite you to read and share: žurnalai.lmta.lt

Research Center
2026 03 05

Wednesday March 4th, 2026

EPI.LAB: The First Forum Exploring the Future of Episodic Content and Inviting Screenwriters to Submit Ideas

March 26–29, the LMTA National Film School (KIMO) and the association AVAKA are organizing the episodic content creators’ forum EPI.LAB. Audiovisual content creators are invited to attend the forum’s open presentations and discussions, while screenwriters are invited to participate in a script development workshop.

The new initiative “EPI.LAB” aims to bring together screenwriters, dramaturgs, producers, and broadcasters and to encourage the growth of episodic content in Lithuania. During the EPI.LAB forum, organized for the first time in Lithuania, representatives of the audiovisual industry will discuss trends in episodic content, share insights, strengthen professional connections important for the future development of episodic content. The program includes discussions and presentations by Lithuanian and international experts in episodic content.

The head of the LMTA National Film School (KIMO), Vytautas Dambrauskas, emphasizes that EPI.LAB seeks to respond to the growing needs of the industry: “As new generations of creators emerge, we aim to address the needs of the entire audiovisual industry, and this is how the idea was born to create a platform that nurtures screenwriters in Lithuania by drawing on both Lithuanian and international practices. The ‘EPI.LAB’ forum and laboratory will provide screenwriters with a unique opportunity to work with renowned professionals such as Susan Stanton and Philip Shelley. We are pleased that the new spaces of the LMTA National Film School open up additional opportunities not only for students but also for the entire film industry. In this way, we become a place where new connections are formed and directions for collaboration are developed.”

During the forum, the EPI.LAB script development laboratory will also take place, during which the authors of selected series ideas will develop their projects with mentors: Susan Stanton (USA), screenwriter and producer of the HBO series “Succession,” and Philip Shelley (UK), head of the Channel 4 screenwriting course.

At the end of the forum, a presentation (“pitching”) of new series ideas will take place. Screenwriters will have the opportunity to gain visibility for their projects, receive mentors’ insights and recommendations for creating series, and gain valuable contacts in the field of episodic content creators. Registration for the laboratory selection has already begun – screenwriters are invited to submit series ideas until March 15: https://forms.gle/5JA2ZQGiu2VamMpR9

The organizers hope that the forum will become an important meeting platform for audiovisual industry professionals seeking creative impulses, partners, and new ideas:

“It is encouraging to see the partnership between the LMTA National Film School and the association AVAKA, focused on industry growth and strengthening the series creation process. Both the National Film School and AVAKA bring together and nurture film and television creators, therefore ‘EPI.LAB’ becomes an important platform that provides creators with opportunities to purposefully improve professionally,” says Darius Vaitiekūnas, director of the AVAKA association.

The event is organized by the LMTA National Film School (KIMO) together with the association AVAKA. The event partner is the Creative Europe Desk Lithuania.

More information and registration: kinas.lmta.lt/epilab.
The full forum program and registration will be announced soon.

2026 03 04

Sunday March 1st, 2026

LMTA Hosts Nordplus Intensive Course “Performance Recording”

On March 2–7, 2026, the Lithuanian Academy of Music and Theatre (LMTA) will become an international creative laboratory, bringing together 30 young singing talents from Latvia, Estonia, Sweden, and Norway. The Nordplus program’s intensive course “Performance Recording” will take place here—a week dedicated not only to vocal mastery but also to one of the most important tools of the modern performer: a professional performance recording.

Today, when a first impression for opera houses is often formed on screen, a high-quality video recording becomes a ticket to the international stage. That is why the focus of the course is on how to create a compelling, professional performance recording suitable for auditions.

The international group of participants will receive masterclasses from experienced lecturers from Scandinavia and the Baltic countries: Ulrika Helena Tenstam Juvas (Norway), Prof. Asta Krikščiūnaitė and Prof. Algirdas Janutas from the LMTA Department of Vocal Performance, Luca De Marchi (Norway). Students will be accompanied by pianists Siim Selis (Estonia) and Artūrs Žurbins (Latvia), as well as LMTA’s Department of Vocal Performance accompanists. The intensive program will combine vocal technique, interpretation, stage expression, and work in front of the camera.

A special part of the course is a lecture on how to film a professional performance suitable for submission to opera house auditions. It will be delivered by Mantas Šatkus, a lecturer and cinematographer at LMTA’s National Film School (KIMO), who will introduce participants to the practical principles of filming, lighting, sound, and visual aesthetics that help a performer appear as compelling on screen as on a live stage.

The course is organized and implemented by an international network of partners: the Jazeps Vitols Latvian Academy of Music, the Estonian Academy of Music and Theatre, the Malmö Academy of Music, the Academy of Music and Drama in Gothenburg, and the Oslo Opera Academy. This collaboration strengthens ties among Baltic and Scandinavian higher arts institutions and creates a shared creative space for young performers.

The “Performance Recording” course aims not only to improve vocal skills but also to develop a modern, independent artist capable of professionally presenting themselves in the international market. It is a space where voice, camera, and creative courage meet.

The Nordplus program’s intensive courses promote the mobility of young performers, international experience, and open new professional opportunities on European opera stages.

International Relations Office
2026 03 01

Sunday March 1st, 2026

KOVAS 2026 | LMTA RENGINIAI

2026 m. KOVO mėn. LMTA renginiai
*Informacija ruošiama

 
2026 m. kovo 8 d., sekmadienį, 14 val.
LMTA Jazz ceche
SVEČIAS IŠ DANIJOS: KRESTEN OSGOOD MEISTRIŠKUMO PAMOKA
Multiinstrumentalistas, prodiuseris, radijo laidų vedėjas
Organizatorius: LMTA Džiazo katedra

2026 m. kovo 9 d., pirmadienį, 15 val.
LMTA Studijų miestelio Šokių salėje
MEISTRIŠKUMO KURSAI „BALANCHINO NEOKLASIKINĖ ESTETIKA: NUO TEORINĖS ANALIZĖS IKI MOTERIŠKOS VARIACIJOS ĮKŪNIJIMO“
Kursus vadovė – Neli Beliakaitė
Organizatorė, techninė padėjėja – Rūta Kudžmaitė-Daraškevičienė

2026 m. kovo 14 d., šeštadienį,
LMTA Didžiojoje salėje
KETVIRTASIS RESPUBLIKINIS JAUNŲJŲ DAINININKŲ KONKURSAS,
SKIRTAS VALENTINO ADAMKEVIČIAUS 100-ŲJŲ GIMIMO METINIŲ ATMINIMUI
Dalyvių registracija iki kovo 4 d.
https://lmta.lt/renginys/ketvirtasis-respublikinis-jaunuju-dainininku-konkursas-skirtas-valentino-adamkeviciaus-100-uju-gimimo-metiniu-atminimui/

2026 m. kovo 26 d., ketvirtadienį, 18 val.
LMTA Didžiojoje salėje
KONCERTUOJA LMTA PIANISTAI
https://lmta.lt/lt/renginys/koncertuoja-lmta-pianistai-2/

2026 m. kovo 30 d., pirmadienį, 12–19 val.
2026 m. kovo 31 d., antradienį, 10–17 val.
LMTA Juozo Karoso salėje
PROF. KRISTIAN ATTILA (SUOMIJA) OPEROS IR LIED INTERPRETACIJOS MEISTRIŠKUMO KURSAI§
Organizatorius: LMTA Koncertmeisterio katedra

 

 


 

SALIŲ ADRESAI:
LMTA Didžioji salė (Gedimino pr. 42, Vilnius)
LMTA Juozo Karoso salė (Gedimino pr. 42, Vilnius)
LMTA Studijų miestelis (Olandų g. 21A, Vilnius)
LMTA Jazz cechas (T. Kosciuškos g. 10, Vilnius)

Renginiai nemokami, išskyrus kitaip pažymėtus.
Lietuvos muzikos ir teatro akademija pasilieka teisę keisti renginių programą.
menas@lmta.lt 
www.facebook.com/lmtamenocentras

Friday February 27th, 2026

Take part in LMTA Career Day’s 2026 new workshop – problemathon

We invite you to take part in the LMTA Career Day STARtas 2026 on March 12–13, where one of the central program elements will be an innovation workshop in a problemathon format, hosted together with our partners ArtTech Agency.

ArtTech Agency works at the intersection of art, technology, and innovation, focusing on developing creative ideas into sustainable projects and helping creators navigate intellectual property, entrepreneurship, and new production models. Their experience in bridging the creative and innovation ecosystems will shape both the structure and mentoring approach of this workshop.

The problemathon will be preceded by three keynote/workshop sessions that will serve as an introduction and conceptual framework for the innovation workshop:

  • Edmundas Pučkorius, CBDO and event producer, Antidote.community – on the process of creating an art “product” and collaborative creative practices;
  • Agnesta Filatovė, Head of ArtTech Agency – on defining the “why” and shaping ideas for development;
  • Vytenis Buzas, entrepreneur and startup founder – on creativity and its relationship with business and entrepreneurship.

Unlike a classic hackathon, this workshop will focus on identifying, framing, and refining relevant challenges in the creative and cultural fields. Participants will work in small teams, combining rotating group phases (to cross-pollinate perspectives) with more stable team work. The process will be supported by a professional moderator and mentors.

Following the workshop, a selected number of teams will receive mentorship packages aimed at further developing their ideas toward intellectual property (IP) registration and practical implementation.

Additionally, once we know the number of visiting students, we are planning to invite them to a financing-focused workshop in the morning and a networking session on the evening before the main event, to encourage deeper exchange and collaboration.

Registration for the innovation workshop (problemathon) is available here: Registration to LMTA Career Day — STARtas 2026 – Fill in form 

We believe this format is especially valuable for students and young professionals in the arts, as it strengthens not only innovation skills, but also critical thinking, collaboration, and problem-framing competences.

We would be very happy to welcome your institution and representatives to join this initiative and meet our students during the event.

2026 02 27

Monday February 23rd, 2026

2025 Internationalization Awards Celebrated at the LMTA Senate

On February 18, the Senate of the Lithuanian Academy of Music and Theatre (LMTA) hosted the 2025 Internationalization Awards. The ceremony honored 12 prominent members of the Academy’s community – professors, students, and staff – whose dedication has significantly strengthened the international standing of the LMTA.

Award Laureates:

  • Prof. Valentinas Masalskis (Klaipėda Faculty, Department of Theatre) – for his consistent and dedicated work with students from Ukraine under the Erasmus+ KA171 mobility program and for the longest “green” travel journey.

  • Prof. Aleksandra Žvirblytė (Music Faculty, Department of Piano and Organ) – for an Erasmus+ teaching visit to Taiwan and a performance with the Tainan Symphony Orchestra.

  • Assoc. Prof. Giedrė Kirkilė (Theatre and Dance Faculty, Department of Dance and Movement) – for the top-rated dance improvisation seminars by international students within the Introduction to Lithuanian Culture module.

  • Assoc. Prof. Laimonas Masevičius (Music Faculty, Department of Wind and Percussion Instruments) – for the successful implementation of the Erasmus+ BIP program CEAMTE.

  • Assoc. Prof. Jarūnė Barkauskaitė (Music Faculty, Department of Piano and Organ) – for the successful coordination of the international Cantatas project in collaboration with partners in Dresden.

  • Lector Francisco Roberto Becerra Bravo (Music Faculty, Department of Composition) – for organizing the Nordplus intensive courses LIVE SPACE.

  • Jurga Gluskinienė (Coordinator at the National Film School (KIMO)) – for the diligent and sincere coordination of the Nordplus NordFilm network and the Nordplus Creative Camp.

  • Vaiva Marozienė (Art Centre Concert Coordinator) – for the visual design and update of the English-language study programme catalogue.

  • Airė Kulbickaitė (3rd-year Bachelor student, Music Performance – Jazz Bass Guitar) – for exceptional activity during her Erasmus+ studies.

  • Simonas Miknius (4th-year Bachelor student, Music Performance – Piano) – for exceptional activity during his Erasmus+ studies.

  • Dmitrijus Andriušanecas (2nd-year Master student, Art of Dance) – for meaningful participation in Erasmus+ short-term mobility projects.

  • Klaudijus Zajančkauskas (2nd-year Master student, Music Performance – Singing) – for successful participation in Erasmus+ short-term mobility projects.

We extend our gratitude to the laureates for their contribution to the Academy’s global openness and hope that these achievements will inspire the entire LMTA community toward new international discoveries.

International Relations Office
2026 02 23

Thursday February 19th, 2026

ÉCOLE DES ÉCOLES Meeting in London: Key Decisions and Future Plans

On February 12–13, the annual General Assembly of the European theatre schools network ÉCOLE DES ÉCOLES (EdE) took place at the Guildhall School of Music & Drama in London. The association currently brings together 15 of the most renowned European theatre schools, geographically distributed across Europe. LMTA was represented by Žilvinas Vingelis, Head of the Acting and Directing Department, and Giedrė Kabašinskienė, International Relations Officer.

Having previously operated without a clear legal structure, the EdE association is now entering a new phase: it has become a registered non-profit organization in Brussels. The London meeting focused extensively on the association’s development, strengthening its governance structure, and expanding international cooperation.

The Assembly also discussed the possibility of granting formal membership to a non-EU institution — the Kyiv National I. K. Karpenko-Kary Theatre, Cinema and Television University. It was decided that this issue will be further examined at the next General Assembly.

The main objective of the EdE association is to develop educators in the performing arts (primarily drama schools), promote the exchange of pedagogical experience, organize seminars and training sessions, and create an international platform for teacher mobility.

Upcoming Events and Initiatives

From March 9–13 this year, a seminar for teachers entitled “The Citizen Chorus” will take place in Brussels at INSAS (Institut National Supérieur des Arts du Spectacle). The seminar will bring together representatives from various EdE schools, including a lecturer from the Ukrainian university, who will receive an INSAS Erasmus mobility grant.

It was also decided that the next General Assembly will be held on February 11–12, 2027, in Milan at the Scuola di Teatro Filodrammatici. The potential membership of the Kyiv university in the ÉCOLE DES ÉCOLES network will also be discussed there.

Upcoming EdE Teacher Seminars

  • November 3–7, 2026 – KHIO (Oslo National Academy of the Arts), Oslo (theme: inclusion);
  • April 5–10, 2027 – Lithuanian Academy of Music and Theatre, Vilnius (“How to Guide Without Control? Methods of Ethical Supervision in Artistic Research…”).

The EdE network continues to strengthen international cooperation, expand partnerships, and create long-term professional development opportunities for European theatre educators.

LMTA International Relations info
2026 02 19

Wednesday February 18th, 2026

Professionals with experience in Hollywood projects will lead film set courses at LMTA

For 35 years, the National Film School (KIMO) of the Lithuanian Academy of Music and Theatre, which educates Lithuanian film professionals in bachelor’s and master’s programs, has for the second year in a row organized short professional courses as well.

These are the only practical film set training courses in Lithuania oriented toward real industry needs. The courses are intended both for those considering starting a career and for those who already have experience and are looking for opportunities to purposefully expand their professional competencies. This year, participants are invited to choose from two programs: “Introduction to the Film Set” (lecturer Lukas Kudapčenka) and “Location Manager Assistants Course” (lecturer Jonas Špokas). The courses will take place in April–May at the LMTA study campus in Vilnius, at Olandų St. 21A.

The first course, “Introduction to the Film Set,” is designed for those interested in film production but who do not yet know where to start. During the course, participants will become familiar with the structure of a film set and production processes, and will acquire the necessary skills and contacts. After completing the course, participants will be ready to start in the position of Production Assistant (PA) – the most common first step into the industry. The course is being offered for the second time – last year’s participants have already completed internships and successfully found employment in film projects. In-person training sessions will take place on April 11–12 and 18–19.

The “Location Manager Assistants Course” is intended for those with experience who want to grow purposefully in film production and try themselves in another position on a film set. The locations department is responsible for scouting, logistics, and organizing filming locations, so participants will learn not only how to find suitable places but also how to work with permits, budgets, and coordinate team work. In-person training sessions will take place on May 2, 9–10, and 16–17.

The quality of the courses is ensured by experienced practitioners: Lukas Kudapčenka, a first assistant director who has worked on more than 250 commercials, 30 films and series, including HBO’s “Chernobyl” and the BBC’s “Rise of the Nazis,” and Jonas Špokas – founder of “Baltic Locations,” who has contributed to such international projects as “Stranger Things” (Netflix), “War and Peace” (BBC), and others.

In-person training sessions will take place at the LMTA National Film School, and internship opportunities for participants will be facilitated by the “Baltic Film and Creative Cluster,” which brings together more than 120 creative industry organizations. Registration has already begun. More information and participation conditions: kinas.lmta.lt/kinokursai.

LMTA National Film School inf.
2026 02 18

Tuesday February 17th, 2026

Got an idea? Make it a reality at the C-Accelerate Summer Incubator 2026!

Do you have a creative industry business idea? Thinking about developing a film or series project? C-Accelerate Summer Incubator 2026 invites LMTA students and recent graduates to transform early-stage ideas into professionally developed projects ready for the international market.

The incubator will take place in Bratislava, Slovakia, in summer 2026 and is designed to support entrepreneurial and creative skill development in the audiovisual and creative industries. The program will be conducted in English.

Application deadline: 20 February 2026
Participation is free of charge. Travel and accommodation are covered for one representative per selected project.
Eligible applicants: BA, MA and PhD students and graduates (up to 5 years after graduation).

The program consists of two modules. Applicants must apply to one module only, depending on their project.


Film & TV Module (7 projects)

Designed for early-stage development of feature films (fiction, documentary, animation, experimental) and TV or online series (all genres and lengths).

Mentorship includes creative development, production development, financing and co-production models, international pitching, distribution and marketing.

Dates:
29 June – 3 July 2026 (online)
2 August – 21 August 2026 (on-site in Bratislava)

Application: https://tally.so/r/BzdYJK


Startup Module (7 projects)

Designed for innovative projects within the creative industries, including audiovisual tools or platforms, new approaches to media production, interactive or educational applications, games, and other creative products or services.

Mentorship includes business soft skills, pitching and sales, marketing and branding, distribution strategies, and intellectual property rights.

Dates:
29 June – 3 July 2026 (online)
13 July – 31 July 2026 (on-site in Bratislava)

Application: https://tally.so/r/q4GLpY


Participants will receive tailored mentorship, take part in workshops and masterclasses, expand their international network, and refine their project presentation. Selected projects will progress to a more advanced development stage and be presented to industry professionals.

On-site activities will take place at the Film and Television Faculty, Academy of Performing Arts in Bratislava (VŠMU).
Selection results will be announced in March 2026.

More information: C-Accelerate Summer Incubator 2026 Open Call

Have questions? Don’t hesitate to contact us: daina.urbanaviciene@lmta.lt.

2026 02 17

Events

2026/05/28

LMTA DOCTORAL STUDENTS: MONIKA KLIMAITĖ-DAUNIENĖ (THEATRE DIRECTING) | (NON)PERFORMANCE “THE DEER METHOD”

May 28, 2026, Thursday, 7 p.m.
LMTA Study Campus Theatre Hall (Olandų g. 21A, Vilnius)

LMTA DOCTORAL STUDENTS: MONIKA KLIMAITĖ-DAUNIENĖ (THEATRE DIRECTING)
(NON)PERFORMANCE “THE DEER METHOD”

Creative team:
Arnoldas Augustaitis (actor)
Monika Klimaitė (director)
Miglė Križinauskaitė (experimental filmmaker)
Vaiva Paukštė (choreographer/dancer)
Manuel Velázquez (composer)
Vilius Kalasūnas (lighting designer)


THE DEER METHOD is:

A METHOD through which this collective works. Our creative process is an experiment with unique creative strategies based on a heterarchical structural model. During rehearsals, we follow the principle of rotating leadership, grounded in ideas of power-sharing and fragmentation. This enables us to seek a creative coalition while preserving individual voices and sharing a unified vision of the work through the different perspectives of our disciplines.

A PERFORMING ARTS WORK. We are currently creating an interdisciplinary work centred on the transformation that a human being must undergo in order to “survive” in the face of existential threats. This transformation unfolds in a multilayered way, yet it is also very concrete – based on the search for “becoming a deer”. This transformation is experienced not only by the characters of the work, but also by the creators themselves through the creative process, merging the result and the process of artistic activity into a unified aesthetic experience.

THE DEER METHOD is an invitation to rethink the human relationship with the world, to see the present as a moment of structural transformation: a shift from domination to coexistence, from fear to the acceptance of vulnerability, from control to care, towards cohabitation with other forms of life within a shared ecosystem.

Organizer: LMTA Department of Acting and Directing

Free admission. You are warmly welcome!

2026/06/12

PIANO MUSIC NIGHT “JUODAIS BALTAIS” | CULTURE NIGHT 2026 – OPEN ACADEMY

June 12, 2026, Friday, 8 pm.–1 am.
Lukiškės Square, Vilnius

PIANO MUSIC NIGHT “JUODAIS BALTAIS” | CULTURE NIGHT 2026 – OPEN ACADEMY

8:00–11:30 p.m. – LMTA Piano Marathon
12:00–1:00 a.m. – recital by pianist Petras Geniušas

The unique piano music concert “Juodais Baltais” has continued its traditions since 2009, when LMTA professor Petras Geniušas gave a recital at Vilnius Lukiškės Square during the “Culture Night” festival, performing music by Ludwig van Beethoven. In 2011, young pianists – the most talented LMTA students and graduates – joined the project, and their solo performances have since become the core of the piano marathon programme.

Nurturing deep traditions of piano performance, the Lithuanian Academy of Music and Theatre presents the unique two-part project “Juodais Baltais” as part of the “Culture Night” programme, featuring performances by talented young LMTA pianists and laureates of international competitions.

The young LMTA pianists will perform some of the most beautiful piano opuses from the Romantic and Impressionist eras, while at midnight pianist Petras Geniušas will present a unique programme infused with improvisations and compositions from the Romantic era as well as the 20th and 21st centuries.

Organizer: Lithuanian Academy of Music and Theatre

Free admission. You are warmly welcome!


OPEN ACADEMY / Culture Night 2026

During “Culture Night”, the Lithuanian Academy of Music and Theatre opens its spaces to the city and invites audiences on a journey through music and theatre stretching from the halls and corridors of LMTA’s central building to Lukiškės Square and the new stage of the Theatre and Dance Faculty at the Study Campus. This year’s programme brings together different art forms, generations, and sound worlds – from Mozart’s music and experimental electronics to theatre and piano performances under the open sky.

At the beginning of the evening, visitors at the Academy will be able to discover a variety of musical experiences. In the J. Karosas Hall, audiences will have a rare opportunity to hear almost all of Wolfgang Amadeus Mozart’s songs for voice and piano performed on an authentic 18th-century fortepiano. At the same time, LMTA corridors will transform into a vibrant experimental music space, where the electronic music ensemble will perform an electronic version of Terry Riley’s minimalist composition In C, in which improvisation, pulse, and collective creativity create a different sonic experience every time.

Theatre also plays an important role in LMTA’s “Culture Night” programme. Audiences are invited to visit the new LMTA Theatre and Dance Faculty Hall on Olandų Street, where the performance The Little Witch will be presented. This warm, playful, and imaginative story about a young witch will become an invitation to discover the works of emerging theatre creators and the Academy’s new spaces.

Lukiškės Square will traditionally become the central point of the evening, hosting the piano music night “Juodais Baltais”. Since 2009, the project has become an inseparable part of “Culture Night” – featuring open-air performances by young LMTA pianists and, at midnight, a recital by Professor Petras Geniušas. This year, the concert will once again connect different Lithuanian cities – for the third time, “Juodais Baltais” will be livestreamed to six locations across Lithuania, expanding the piano music night beyond Vilnius.

This year’s LMTA programme invites audiences to experience the Academy as a vibrant, open, and constantly evolving cultural space, where music and theatre move beyond traditional stages into squares, corridors, and unexpected meeting places, and where one night becomes an opportunity to hear, see, and experience the Academy in an entirely different rhythm.

All Open Academy / Culture Night 2026 events.

2026/06/12

(ALMOST) ALL OF MOZART’S SONGS | CULTURE NIGHT 2026 – OPEN ACADEMY

June 12, 2026, Friday, 7:00–8:45 p.m.
Lithuanian Academy of Music and Theatre, J. Karosas Hall (Gedimino Ave. 42, Vilnius)

(ALMOST) ALL OF MOZART’S SONGS | CULTURE NIGHT 2026 – OPEN ACADEMY

As the cultural world celebrates the 270th anniversary of Mozart’s birth this year, LMTA students present (almost) all of the genius composer’s works for voice and piano. The intrigue of the concert – audiences will hear a rare instrument from Mozart’s own era, almost never heard in Lithuania.

Mozart’s songs are perhaps the least frequently performed part of his creative legacy. Yet even in these miniatures, Mozart’s genius is unmistakable. Listening not only to a few better-known songs but to the entirety of his vocal miniatures reveals the wide-ranging world of themes that fascinated the composer. Mozart, so often overflowing with joy, playful and light-hearted, can also be restrained, contemplative, didactic, philosophical, or even tragic.

During the concert, the singers will be accompanied not by a modern piano, but by a little-known historical instrument – the early piano, also known as fortepiano, pianoforte, or hammerflügel. Such instruments were built in late 18th-century Vienna by piano maker Anton Walter. Mozart himself performed on an instrument made by this master (the authentic fortepiano once owned by Mozart is preserved in a museum in Salzburg). Concert audiences will hear a copy of a 1796 Walter fortepiano, built by renowned contemporary specialist in historical keyboards, Paul McNulty.

Performers:
Singers:
Kamilė Globytė
Liepa Ribokaitė
Rūta Plučiūtė
Goda Zakarauskaitė
Vasilisa Agarkova
Sofija Ruginytė
Linas Drąsutis
Izabelė Švenčionytė
Saulė Šerytė

Pianists:
Augustė Pauliūtė
Elzė Kaziukonytė
Joris Mikužis
Kamilė Grigorčenkaitė
Aistė Bernotavičiūtė
Viltė Kanaporytė
Yana Serbina
Jonė Punytė-Svigarienė


OPEN ACADEMY / Culture Night 2026

During “Culture Night”, the Lithuanian Academy of Music and Theatre opens its spaces to the city and invites audiences on a journey through music and theatre stretching from the halls and corridors of LMTA’s central building to Lukiškės Square and the new stage of the Theatre and Dance Faculty at the Study Campus. This year’s programme brings together different art forms, generations, and sound worlds – from Mozart’s music and experimental electronics to theatre and piano performances under the open sky.

At the beginning of the evening, visitors at the Academy will be able to discover a variety of musical experiences. In the J. Karosas Hall, audiences will have a rare opportunity to hear almost all of Wolfgang Amadeus Mozart’s songs for voice and piano performed on an authentic 18th-century fortepiano. At the same time, LMTA corridors will transform into a vibrant experimental music space, where the electronic music ensemble will perform an electronic version of Terry Riley’s minimalist composition In C, in which improvisation, pulse, and collective creativity create a different sonic experience every time.

Theatre also plays an important role in LMTA’s “Culture Night” programme. Audiences are invited to visit the new LMTA Theatre and Dance Faculty Hall on Olandų Street, where the performance The Little Witch will be presented. This warm, playful, and imaginative story about a young witch will become an invitation to discover the works of emerging theatre creators and the Academy’s new spaces.

Lukiškės Square will traditionally become the central point of the evening, hosting the piano music night “Black on White”. Since 2009, the project has become an inseparable part of “Culture Night” – featuring open-air performances by young LMTA pianists and, at midnight, a recital by Professor Petras Geniušas. This year, the concert will once again connect different Lithuanian cities – for the third time, “Black on White” will be livestreamed to six locations across Lithuania, expanding the piano music night beyond Vilnius.

This year’s LMTA programme invites audiences to experience the Academy as a vibrant, open, and constantly evolving cultural space, where music and theatre move beyond traditional stages into squares, corridors, and unexpected meeting places, and where one night becomes an opportunity to hear, see, and experience the Academy in an entirely different rhythm.

All Open Academy / Culture Night 2026 events.

2026/06/12

OTFRIED PREUẞLER PERFORMANCE “THE LITTLE WITCH” | CULTURE NIGHT 2026 – OPEN ACADEMY

June 12, 2026, Friday, 7:00 p.m.
LMTA Study Campus Theatre Hall (Olandų St. 21A, Vilnius)

PERFORMANCE “THE LITTLE WITCH” (OTFRIED PREUẞLER) | CULTURE NIGHT 2026 – OPEN ACADEMY

Registration required:
https://docs.google.com/forms/d/e/1FAIpQLSdrmpNVkH4LMHmWZJrb-ZWtbdnauMXbiwe4P9fud2Zn2l38Sw/viewform

The performance based on Otfried Preußler’s fairy tale The Little Witch is a warm and educational story about a young witch who is only 127 years old and therefore considered too young to participate in the grand and extravagant witches’ celebration – Walpurgis Night.

Ignoring the prohibitions, she secretly attends the celebration, but is punished and given a task – to become a “good witch” within one year. At first, the little witch believes that being a good witch means mastering spells and following witches’ rules. Gradually, however, she realizes that true goodness lies not in magic, but in actions.

Together with her loyal raven companion Abraxas, she embarks on a journey full of adventures and lessons, helping ordinary people – punishing the unjust, defending the weak, and restoring justice. Unfortunately, this misunderstanding is revealed during an examination organized by the witches’ council, angering the old witches even more and leading to an even harsher punishment.

Yet, with her quick wit and playful character, she finds a way to outsmart the wicked old witches and bring only goodness into the world. The performance is filled with adventure, gentle humour, and wise lessons about responsibility, honesty, and the courage to be yourself.

Cast:
Morta Damaševičiūtė
Kasparas Lapėnas
Jurgis Vyrukaitis
Milana Kliukaitė
Nedas Baliukevičius
Dominykas Stulpinas
Arnas Daunoravičius
Kristupas Knispelis
Lauryna Šarlauskaitė
Nojus Žalys

Director
Morta Damaševičiūtė

Scenography:
Morta Damaševičiūtė
Kasparas Lapėnas

Lighting and sound designers:
Vilius Klimavičius
Nojus Šimkus
Matas Pranskevičius
Balys Švedas


OPEN ACADEMY / Culture Night 2026

During “Culture Night”, the Lithuanian Academy of Music and Theatre opens its spaces to the city and invites audiences on a journey through music and theatre stretching from the halls and corridors of LMTA’s central building to Lukiškės Square and the new stage of the Theatre and Dance Faculty at the Study Campus.

This year’s programme brings together different art forms, generations, and sound worlds – from Mozart’s music and experimental electronics to theatre and piano performances under the open sky.

At the beginning of the evening, visitors at the Academy will be able to discover a variety of musical experiences. In the J. Karosas Hall, audiences will have a rare opportunity to hear almost all of Wolfgang Amadeus Mozart’s songs for voice and piano performed on an authentic 18th-century fortepiano. At the same time, LMTA corridors will transform into a vibrant experimental music space, where the electronic music ensemble will perform an electronic version of Terry Riley’s minimalist composition In C, in which improvisation, pulse, and collective creativity create a different sonic experience every time.

Theatre also plays an important role in LMTA’s “Culture Night” programme. Audiences are invited to visit the new LMTA Theatre and Dance Faculty Hall on Olandų Street, where the performance The Little Witch will be presented. This warm, playful, and imaginative story about a young witch will become an invitation to discover the works of emerging theatre creators and the Academy’s new spaces.

Lukiškės Square will traditionally become the central point of the evening, hosting the piano music night “Black on White”. Since 2009, the project has become an inseparable part of “Culture Night” – featuring open-air performances by young LMTA pianists and, at midnight, a recital by Professor Petras Geniušas.

This year, the concert will once again connect different Lithuanian cities – for the third time, “Black on White” will be livestreamed to six locations across Lithuania, expanding the piano music night beyond Vilnius.

This year’s LMTA programme invites audiences to experience the Academy as a vibrant, open, and constantly evolving cultural space, where music and theatre move beyond traditional stages into squares, corridors, and unexpected meeting places, and where one night becomes an opportunity to hear, see, and experience the Academy in an entirely different rhythm.

All Open Academy / Culture Night 2026 events.

2026/06/12

TERRY RILEY “IN C” | CULTURE NIGHT 2026 – OPEN ACADEMY

June 12, 2026, Friday, 9:00–9:50 p.m. and 11:00–11:50 p.m.
Second Floor Corridor of the Lithuanian Academy of Music and Theatre (Gedimino Ave. 42, Vilnius)

TERRY RILEY “IN C” | CULTURE NIGHT 2026 – OPEN ACADEMY

The LMTA Electronic Music Ensemble will perform an electronic version of Terry Riley’s In C, inviting listeners into a constantly evolving sonic experience filled with collective freedom.

The electronic version of Terry Riley’s In C opens up a new perspective on one of the most important works in the history of minimalism. Through computer-generated sounds and improvisational structures, the composition becomes a continuously changing and renewing soundscape where pulse, repetition, and collective creativity merge together.

The aesthetics of electronic music further emphasize the openness and freedom of In C – every performance sounds different, and no two versions of the piece are ever the same.

Since 2019, the LMTA Electronic Music Ensemble has explored the boundaries of electronic sound as a creative laboratory of the LMTA Composition Department. The ensemble brings together students from various disciplines interested in electronic music performance, free improvisation, and the search for new forms of expression, often combining acoustic instruments with electronics.

This is a space where not only compositions are performed, but new approaches to music composition are discovered – a place where curiosity meets musical collaboration.

Artistic director:
Assoc. Prof. Dr. Jonas Jurkūnas


OPEN ACADEMY / Culture Night 2026

During “Culture Night”, the Lithuanian Academy of Music and Theatre opens its spaces to the city and invites audiences on a journey through music and theatre stretching from the halls and corridors of LMTA’s central building to Lukiškės Square and the new stage of the Theatre and Dance Faculty at the Study Campus.

This year’s programme brings together different art forms, generations, and sound worlds – from Mozart’s music and experimental electronics to theatre and piano performances under the open sky.

At the beginning of the evening, visitors at the Academy will be able to discover a variety of musical experiences. In the J. Karosas Hall, audiences will have a rare opportunity to hear almost all of Wolfgang Amadeus Mozart’s songs for voice and piano performed on an authentic 18th-century fortepiano. At the same time, LMTA corridors will transform into a vibrant experimental music space, where the electronic music ensemble will perform an electronic version of Terry Riley’s minimalist composition In C, in which improvisation, pulse, and collective creativity create a different sonic experience every time.

Theatre also plays an important role in LMTA’s “Culture Night” programme. Audiences are invited to visit the new LMTA Theatre and Dance Faculty Hall on Olandų Street, where the performance The Little Witch will be presented. This warm, playful, and imaginative story about a young witch will become an invitation to discover the works of emerging theatre creators and the Academy’s new spaces.

Lukiškės Square will traditionally become the central point of the evening, hosting the piano music night “Black on White”. Since 2009, the project has become an inseparable part of “Culture Night” – featuring open-air performances by young LMTA pianists and, at midnight, a recital by Professor Petras Geniušas.

This year, the concert will once again connect different Lithuanian cities – for the third time, “Black on White” will be livestreamed to six locations across Lithuania, expanding the piano music night beyond Vilnius.

This year’s LMTA programme invites audiences to experience the Academy as a vibrant, open, and constantly evolving cultural space, where music and theatre move beyond traditional stages into squares, corridors, and unexpected meeting places, and where one night becomes an opportunity to hear, see, and experience the Academy in an entirely different rhythm.

All Open Academy / Culture Night 2026 events.

2026/10/01 - 2026/10/03

FESTIVAL “MIKROFEST VILNIUS 2026” AND SYMPOSIUM “MIKROTÖNE: SMALL IS BEAUTIFUL”

2026/11/18 - 2026/11/20

26TH INTERNATIONAL CONFERENCE “PRINCIPLES OF MUSIC COMPOSING: INTERACTION BETWEEN TECHNOLOGIES AND CONVENTIONS”

November 18–20, 2026
Vilnius, Lithuania

26TH INTERNATIONAL CONFERENCE “PRINCIPLES OF MUSIC COMPOSING: INTERACTION BETWEEN TECHNOLOGIES AND CONVENTIONS”

Lithuanian Composers’ Union / Lithuanian Academy of Music and Theatre

Special guest:
Prof. Panayiotis Kokoras, University of North Texas, US

The commodification and accessibility of technology is arguably one of the most significant sociocultural phenomena of the 21st century. Due to its ease of access, advanced technology has become an integral part of our everyday lives, reshaping not only society but also our modes of thinking. Composition, as a reflection of these transformations, has not merely been affected by technological progress but has become one of its artistic vanguards.

Various technological tools and the processes derived from them (acoustic analysis, sound synthesis, recordings, audio engineering, electronic modifications of acoustic sound and acoustic instruments, etc.) have become an integral part of contemporary creative practice. In addition, our knowledge about sound, its nature, possibilities of modification, and historical contexts continues to grow and shape our musical consciousness. How do this knowledge and technological tools affect music composition processes? What opportunities, challenges, and paradigms of thinking do they open up—or even impose upon us? How is the role of the composer changing in the era of technology and artificial intelligence?

Alongside technological innovations remain conventions—established aesthetic, stylistic, cultural, and academic norms shaped through the historical development of music. Musical conventions (principles, techniques, and norms of Western music composition) and modern technologies (closely related both to the development of electronic music and to compositional and performative practices of acoustic music) are interpreted here as inseparable factors whose interaction forms new principles of music composition.

The conference invites participants to explore the interaction between technological innovations and musical conventions, uncover possible tensions and syntheses between them, and reveal the challenges and opportunities arising from this interaction, enabling us to reconsider aesthetic, cultural, national, and other contexts and to form new identities.

Suggested sub-themes:

1. The interaction of modern technologies and musical conventions as a paradigm of contemporary music composition: theoretical, historical, and philosophical insights.
2. Types of interaction between modern technologies and conventions: sociocultural level, creative process, aspects of musical structure and technique, music production, reproduction, and reception.
3. Interaction between modern technologies and conventions in relation to different sound parameters: pitch, duration, loudness, timbre, etc.
4. The influence of digital and analogue sound processes on composition processes (sound synthesis, sound recordings, audio engineering, etc.).
5. The influence of non-musical technologies on composition processes (artificial intelligence, social media, multimedia, electronic devices, DIY practices, etc.).
6. Realization of the interaction between technologies and conventions in creative practice: theoretical and practical aspects.
7. The significance of the interaction between modern technologies and musical traditions for the dissemination of cultural, national, and ethnic musical features and identities.

Paper proposals (abstract and short biography) should be sent to:
pmc.lmta@gmail.com

Abstracts must not exceed 500 words. The approximate duration of presentations is 20–25 minutes.

The deadline for submitting proposals is September 12, 2026. All proposals will be evaluated by the scholarly committee, and applicants will be informed of the committee’s decision by the end of September.

The conference will be held in English. Participants will also have the opportunity to present online.

Participation fee* (only for selected participants):
In person – 30 €
Online – 50 €

*If you are unable to pay the participation fee, please contact us via email.

Disclaimer: Due to the ongoing geopolitical situation, proposals from scholars associated with institutions in Russia or Belarus will not be accepted.

All conference participants will have an opportunity to submit articles based on their presentations for publication in the annual peer-reviewed journal “Principles of Music Composing”.